FRREEEEBIE FOR CHRISTMAS
Every month
Every month I'll post a new "taste" of Art Pepper's music as a FREE DOWNLOAD. These tastes are given away because they are "unreleasable" by virtue of the recording being cut off at beginning or end or by brief audio problems that occurred in the recording process.
THEY'RE TOO STUNNING TO HIDE AWAY IN MY FILES AS YOU'LL SOON SEE.
I'll also post occasional journal entries including updates on new releases.
Saturday, December 1, 2018
Sunday, September 23, 2018
Friday, August 31, 2018
HAPPY BIRTHDAY ART PEPPER 9/01/2018
Art's birthday is tomorrow, September 1, but I'm getting an early start. So...
Free for a WEEK-AND-A-DAY. Then, gone
ALTERNATE TAKE
Maybe it's because I've got an awful summer cold and it's driving me INSANE, but I've decided to post this devastatingly beautiful thing. I won't, can't tell you anything about it except to say that once upon a time there was going to be an "alternate ballads" album. In other words, this tune wasn't considered to be as good as another version of Our Song which has been released.
Saturday, August 18, 2018
Sorry I've Been Busy with What You See and Hear Below! COMING IN NOVEMBER!
Unreleased Art Pepper Vol 10: Toronto June 16 1977
A 3 disc set from Widow's Taste Records
Music is "A Song For Richard" by Joe Gordon
Music is "A Song For Richard" by Joe Gordon
Saturday, June 16, 2018
For the cognoscenti or the just plain curious
Wayne is a musician with a lifetime in jazz, an understanding of what an Art Pepper performance ought to sound like, and an unerring ear for what's messed up in the aged tapes I bring him. Thanks to Rocco Bertels, who found more than one medium onto which this night at Bourbon Street was recorded, I was able to give Wayne some cassettes AND two reel to reel tapes from which to pick and choose, and actually, mostly, the cassettes were of better quality, though not always.
*And I apologize for that last sentence. I'm writing fast.
So I just want to show you guys how hard Wayne works to make sure the Unreleased Art Pepper series is as good as it can be (and invariably much better than bootlegs or online downloads).
And at the same time, I can procrastinate the writing of the liner notes! Win! Win!
Here's what Wayne did:
Art Pepper - Bourbon Street, Toronto
June 16, 1977
7” reel / 7.5 IPS / Stereo 2 sides [4 track]
transfer TEAC 3340S / MOTU 2408 Mk2 / Digital Performer 7.24 / 44.1k / 24 bit WAV
transfer appears to be a little sharp
Art Pepper - Alto
Bernie Senensky - Piano
Dave Piltch or Gene Perla* - Bass
Terry Clarke - Drums
1. A Song For Richard — one tape dropout√
2. Long Ago & Far Away - some sax squeaks√
3. Here’s That Rainy Day - some sax squeaks
4. Theme [end of set] Blues For Herd, - some sax squeaks, sax off mic during end of out head
band intros by Art…..
*5. What Is This Thing Called Love - some sax squeaks, sax off mic during 2nd half of solo, comes back just bef end of solo
*6. All The Things You Are [beg] [
Side 2
*1. All The Tings You Are [concl.]
Art raps with audience…band intros….
*2. The Summer Knows
*3. I’ll Remember April
*4. Theme
*5. Samba Mom-Mom
cassette only:
6. Star Eyes
=============
mastering notes
Cassette +14 cents / Reel -18 cents
A1 A Song For Richard (16:52)
used cassette version
cleaned out some low thumps on R Ch in soft parts
cleaned a few sax squeaks
fixed drum stick hit, missing bass note, R Ch dropout, glass tinkling in quiet spot, PA feedback
edited to applause from reel did less quick of a fade as was on cassette
A2 Long Ago & Far Away (13:22)
used cassette version
cleaned out some low thumps on R Ch in soft parts
cleaned a few sax squeaks
fixed a couple of minor tape dropouts
edited to applause from reel did less quick of a fade as was on cassette
A3 Here’s That Rainy Day (10:17)
used cassette version
cleaned out some low thumps on R Ch in soft parts
cleaned a few sax squeaks, clanks & coughs in audience, PA feedback
fixed a couple of minor tape dropouts
edited to applause from reel did less quick of a fade as was on cassette
A4 Blues For Heard (4:16)
used cassette version
cleaned out some low thumps on R Ch in soft parts
cleaned a few sax squeaks, PA feedback
fixed a couple of minor tape dropouts
fixed missing bass note on 1st note of tune
either AP off mic, or mic cuts off from end phrase of the 1st of 2 out heads.
copied phrase from end of in head, and cut out the 2nd out head, went right to the ending, did some work to boost the alto in the outro [it’s better but still too soft]
A5 What Is This Thing Called Love? (15:37)
mostly the cassette, went to the reel during the 2nd part of the sax solo, because the volume of the sax dipped worse on the cassette
cleaned a few sax squeaks, PA feedback
fixed a couple of minor tape dropouts
after the bass solo, the bass is way too loud, and the piano is way too soft.
Did some work in RX as well as the mastering to help, the solution is to have a lot less lows from that point, which is not great but better than the bass blasting too much.
A6-B1 All The Things You Are (16:59)
intro cut off [on both cass & reel] edit for 1st phrase, reel for 1st note of 2nd phrase of intro [missing on cass] - cass for remainder
fixed a number of tape dropouts
fixed noises, PA feedback, missing attacks on piano notes in solo, rattles in bass during solo
AP off mic during 2nd half of solo, and beginning of traces - did some stuff to help
B2a The Summer Knows preamble (2:20)
used cassette / edited out the long pauses & repeats
B2b The Summer Knows (16:50)
used cassette / fixed sax squeaks, tape drop outs, noises
one missing piano attack fixed
B3 I’ll Remember April (14:30) -complete time with B3& B4
mostly cassette until it cuts off just before the end, cut to the reel [which as this point is pretty distorted]
Fixed tape dropouts, PA feedback, sax squeaks
Fixed sax one note FS into head out of intro
made talking during bass solo less
B4 - Theme - Blues For Heard - fades out
Reel only - it starts right out of the end of April
B5 Samba Mom-Mom (17:40)
used cassette
fixed sax squeaks, tape drop outs, talking during intro, bass solo, applause
B6 Star Eyes 12:38
fixed tape drop outs,
============
06-26-17
Barcode 191061850830
RCS
See below. See also attached Excel list
Tape
|
TRACK NO.
|
Tune
|
BAND
|
ISRC
|
Time
|
Bourbon Street reel side one [used cass]
|
Disk A1
|
A Song for Richard
|
Bernie Senensky, Terry Clark, Dave Piltch
|
QZ95F1700001
|
Time 16:52
|
[used cass]
|
A2
|
Long Ago and Far Away
|
Bernie Senensky, Terry Clark, Dave Piltch
|
QZ95F1700002
|
Time 13:22
|
[used cass]
|
A3
|
Here's That Rainy Day
|
Bernie Senensky, Terry Clark, Dave Piltch
|
QZ95F1700003
|
Time 10:17
|
[used cass]
|
A4
|
Blues for Heard
|
Bernie Senensky, Terry Clark, Dave Piltch
|
QZ95F1700004
|
Time 4:16
|
[used cass & reel]
|
A5
|
What Is This Thing Called Love?
|
Bernie Senensky, Terry Clark, Gene Perla
|
QZ95F1700005
|
Time 15:37 Disk A total 1:00:38
|
split between side one & two, filled out with cassette version
|
Disk B1
|
All The Things You Are
|
Bernie Senensky, Terry Clark, Gene Perla
|
QZ95F1700006
|
Time 16:59
|
Bourbon Street reel side two [used cass]
|
B2
|
Band Intros
|
Bernie Senensky, Terry Clark, Gene Perla
|
QZ95F1700012
|
Time 2:20
|
[used cass]
|
B3
|
The Summer Knows
|
Bernie Senensky, Terry Clark, Gene Perla
|
QZ95F1700008
|
Time 16:50
|
[used reel & cass]
|
B4
|
I'll Remember April
|
Bernie Senensky, Terry Clark, Gene Perla
|
QZ95F1700007
|
Time 14:30 Disk B total 50:50
|
[used cass]
|
Disk C1
|
Samba Mom - Mom
|
Bernie Senensky, Terry Clark, Gene Perla
|
QZ95F1700009
|
Time 17:40
|
Cassette only
|
C2
|
Star Eyes
|
Bernie Senensky, Terry Clark, Dave Piltch
|
QZ95F1700010
|
Time 12:26
|
|
C3
|
Art Pepper Interview
|
Hal Hill
|
QZ95F1700011
|
Time 32:59 Disk C total 1:03:12
|
Wednesday, June 13, 2018
Cruel April and Merry May have passed with NO FREEBIES! But take heart!
Because it's June, June, June!
And it's bustin' out all over,
And to celebrate the summer,
Here's a FREEBIE!
Here's a TUNE!
AND MEANWHILE, (while you're on the bandcamp site), there's a two disc set is available for download for $7.00 at
Wednesday, March 21, 2018
In Like a Lion: FREEBIE PLUS Unbelievable SALE | Art Pepper
SORRY! SALE ENDED END OF MARCH! BUT GO TO the links to see current prices and sales!
Volume 2, Last Concert
| |
Art Pepper (Alto & Clarinet); Roger Kellaway; David Williams; Carl Burnett
| |
1, Landscape
| |
2, Talk
| |
3, Ophelia
| |
4, Talk
| |
5, Mambo Koyama
| |
6, Over the Rainbow
| |
7, Talk
| |
6, When You're Smiling
| |
Usually $12.00. During March ONLY $5.99!
CD On Sale at CD Baby Unreleased Art Volume 2, Last Concert, | |
Volume 5, Stuttgart
| |
Art Pepper Alto & Clarinet; Milcho Leviev; David Williams; Carl Burnett
| |
1. True Blues
| |
2. Yours Is My Heart Alone
| |
3. Landscape
| |
4. Patricia
| |
5. For Freddie
| |
6. Straight Life
| |
7. Avalon
| |
8. Make a List (Make a Wish)
| |
9. Over the Rainbow
| |
10. Cherokee
| |
Usually $18, During March only: $12.99
CD On Sale at CD Baby: Unreleased Art Volume 5, Stuttgart TWO DISC SET | |
Sunday, February 11, 2018
Free For All My Valentines! Red Car
Friday, December 8, 2017
A FREEBIE FOR CHRISTMAS
HERE'S YOUR GORGEOUS CHRISTMAS FREEBIE
SOME STOCKING STUFFERS FOR YOUR SWEETIE?
COMPANIONS: Straight Life & ART
Published in 1979, Straight Life was the story of Art Pepper. He was a deeply troubled, madly gifted artist, an addict. Art told me his story, I wrote it down, I fell in love, and we got married. Straight Life, according to enthusiastic reviews in The New Yorker, Time, The Village Voice, etc. became
(and remains) a classic. Now also available for KINDLE, NOOK, IPAD, ETC. (CHEAP)
In Straight Life Art cast himself as a lost, desperate genius and me, at the end, as his angel of rescue. During our marriage we worked successfully together to enact that story. But I was no angel, and we rescued each other. ART is a memoir of that marriage. This is a paperback book, 382 pages, 100 photos, and with a complete index: Read Wonderful Reviews in Harper's, etc.
MUSIC
Give a Collector's Item from Widow's Taste:
Best Price at CDBABY
Thursday, October 26, 2017
FREE for YET ANOTHER BIRTHDAY: Warne Marsh!
Donna Lee is one of my favorite bebop tunes in the world. It's got this oddly oblique melody that enchants me—and it's my favorite track on this album (Unreleased Art Vol. 9: Art and Warne.)
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